{"id":66,"date":"2008-10-14T13:07:14","date_gmt":"2008-10-14T13:07:14","guid":{"rendered":"http:\/\/christinagonzalez.wordpress.com\/2008\/10\/14\/will-movies-remain-recession-proof\/"},"modified":"2008-10-14T13:07:14","modified_gmt":"2008-10-14T13:07:14","slug":"will-movies-remain-recession-proof","status":"publish","type":"post","link":"https:\/\/www.christinagonzalez.net\/blog\/2008\/10\/14\/will-movies-remain-recession-proof\/","title":{"rendered":"Will Movies Remain &#8220;Recession Proof&#8221;?"},"content":{"rendered":"<p>That&#039;s the subject of <a href=\"http:\/\/www.cnbc.com\/id\/27181042\/site\/14081545?__source=yahoo%7Cheadline%7Cquote%7Ctext%7C&amp;par=yahoo\">this<\/a> article I read today. Since movies are considered a relatively cheap form of entertainment, and big releases are always attracting audiences, they&#039;re considered to be rather &quot;recession proof&quot;. <\/p>\n<p>Tickets in Manhattan, however, are around twelve dollars now. <em>Twelve<\/em>. And matinees are either so restricted as to be inaccessible for most people, or nonexistent. when I was a teen in the 90s, I&#039;d often go to matinees. They cost about $5, and the theaters offered them every weekday and Saturday before 6pm. That was generous, and although my weekly allowance was only $5, add in a little babysitting money and a walk to the theater instead of paying for the bus, and I was able to see perhaps two movies some months. Rentals and borrowed copies not included.<\/p>\n<p>Many of the local theaters closed starting around 1994, and the multiplex that had those generous matinees? The current policy is limited to showtimes before 3PM Monday-Thursday, and first show on Friday and Saturday. Their regular prices, instead of being a couple of dollars cheaper than in Manhattan, are $11.50. Local theaters used to be a respite from the high Manhattan prices, but no longer. The ultimate result is that I don&#039;t really discriminate between theater location anymore, because it doesn&#039;t really save me money like it used to.<br \/>&#160;<\/p>\n<p>At twelve dollars a ticket, I&#039;m simply much choosier about which films I see on the big screen. I tend to take a few factors into consideration.<\/p>\n<ul>\n<li>Is this a simple comedy or drama that doesn&#039;t have any sort of music or effects that call for a big screen experience?<\/li>\n<li>Is it a musical? Musicals deserve the big screen and high-tech sound system for a first viewing.<\/li>\n<li>How long is the movie? Because if it&#039;s only 85 minutes long, I&#039;m likelier to wait for DVD. <\/li>\n<li>How much would I mind spoilers? Or how long have I been anticipating this film? Both affect how long I will wait.<\/li>\n<\/ul>\n<p>There is a bit of a break available. Theater chains sell discounted admission coupons that you can exchange for tickets at the box office. You often have to buy them in bulk (though I have seen them a la carte much more often lately), and they come with a host of different restrictions varying by chain. A lot of these tickets tack on a fee in New York City though, so for me the discount isn&#039;t usually that much, but it is worth looking into.<\/p>\n<p>All in all, we like our movies and we need our entertainment to help us get through tough times. The business itself will survive recessions, but I suspect like me, audiences are going to be more selective.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>That&#039;s the subject of this article I read today. Since movies are considered a relatively cheap form of entertainment, and big releases are always attracting audiences, they&#039;re considered to be rather &quot;recession proof&quot;. Tickets in Manhattan, however, are around twelve dollars now. Twelve. And matinees are either so restricted as to be inaccessible for most [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[82,83,84],"class_list":["post-66","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-business","tag-movies","tag-recession"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2nVuU-14","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/posts\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":0,"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.christinagonzalez.net\/blog\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}